Cause it’s you and me and all of the people with nothing to do
Nothing to lose
-Lifehouse, You and Me

The sky was filled with stars the night I said yes.  But there was this one that shone the brightest.  I went straight to my room the minute I got home, borrowed my little sister Arielle’s blue permanent marker, and wrote our names on our star.  Louise and Andrew.  Andrew and Louise.

“Will you love me?”  Andrew asked.
“Yes,” I said, my heart beating wildly, “yes, I will.”

I play this in my in mind over and over.  It’s been a week but I’m still feeling lighthearted.

***

He’d walk me home every night since then, and our star would shine a little brighter each time.  The glitter was not meant to last long as I found out months later.  Nothing lasts forever.  But you know me, being the overly romantic one, I found it hard to just let it lose its glow.  I know there are a lot of other stars out there and I can easily pick another one to be our next star.  Thing is, I don’t want another star, I want what we have right now. 

Eto na po miss, metal polish. Maswerte po kayo, last na ito,” says Manong Magic Shop
Manong, kailan po magkakaroon ng dagdag?  Dalawa sana bibilhin ko para may reserba.”
“Miss, wala na talaga eh.  Di ko alam kung kailan ulit magdedeliber iyung supplier namin ng ganito.”

So I pluck our star out of its cloud cushion and polish it.  “There,” I thought, “it’s twinkling again,” and put it back to its spot.

I feel giddy once more and stare at it the whole night.

***

Sometimes the dullness would creep in so quickly I’d have to clean our star after only weeks.  Most of the time though, it takes months.

“Hey darling, happy anniversary,” I say over the phone at the stroke of midnight.
“I love you,” Andrew says.

***

Manong, wala na po ba talagang polish? I really need it, nagtanong na po ako sa iba, out of stock din.”
Miss, pasensya na, wala talaga eh.”

***

I’m staring at the monitor.  I have been staring at it for an hour.  I can’t write. 

So I tell the boss, “Paolo, it’s late already, I go home alone now, remember?  Can I just give this to you tomorrow morning?” (But the truth is I just don’t want to think of anything anymore.  Just for tonight.)

“Sure, Louise,” he says, “take care.”

“Bye Paolo, Anthony, Homer,” I say before shutting the door as silently as I could, not wanting to wake the ghosts I see lying down on the floor of the hallway.  The dim light flickers with every step I take.

I find my way out of the HSc building, and follow the path I’ve walked through all these years.  I remember our starry night a thousand memories ago.  I look up at the sky and try to figure out where our star is.  I couldn’t see a damn thing.  Nothing but the vast darkness.

It’s all black to me now.

I shaved every place where you've been boy.
-Blood Roses, Tori Amos

I came home to the sight of a pair of red stilettos at the back of the door.  Not mine, I thought.

I go to the kitchen to get a drink and I see a woman wearing my husband's shirt.  "Who are you and what the fuck are you doing in my house?"  She says her name is Nicole and she's Arthur’s girlfriend.
Oh, really.  "And I’m, I'm his," I stutter, finding it hard to say the word "wife."

It all makes sense now.  Arthur comes out of the room – our room and sees us, wife and mistress, face to face.  He looks really stupid, caught red handed.  I’m not angry, not angry at all because I knew all along.  He doesn't know that I read the stuff in his phone inbox.  I'm not mad but I hate him for looking so stupid, like a lost little child, in front of me and this woman who does not seem to have a clue that Arthur is married to me.

I get my pink Nike sports bag.  The groceries are in the car, good for a week or two, I say as I pack.

I walk out of the village in a dream-like manner, and the next thing I know, I’m harassing the guard of the condominium where Robin lives.  Manong, I don’t care if he is asleep, call him and tell him that Ruth is here to see him, and if I have to kick your sorry ass for every word you say, I will do so until Robin comes down here and sees me.

***
It’s one in the morning.

Robin comes out of the elevator, disheveled, concern etched on his weary face.  A look reminiscent of how he reacted when I told him I’m pregnant and Arthur is the father. 

That was college senior year.  This disaster is two years in the making.

"Hey, I just thought I'd visit you."

"Oh, Ruth."

He gets my bag and leaves it at the guard's station.  We walk out to smoke, and I tell him about Arthur and the woman in my house.

It’s a biting night outside but I don't care because I have a pack of cigarettes and a friend.

"Stay with me," he says softly.

I look at my wedding ring, then lift my head up to see Robin's eyes.

"I should have said yes to you when you asked that of me five years ago.” He leans in for a long, wet kiss.

***
Amidst tangled sheets and entwined bodies, I wake up drenching from a dream of Arthur and the baby girl I lost.

I shut my eyes and all the world drops dead.
(I think I made you up inside my head.)
-Sylvia Plath, Mad Girl’s Love Song

I woke up to the smell of coffee and thought it must be Saturday because Mama allowed me to sleep long.  Saturday, I repeat to myself.  I feel so elated to have memorized the multiplication table in just one sitting without Mama getting angry at me.  Last week she taught me how to write dikit-dikit.  I cried and cried and cried because I don’t want my writing slanting to the left.  It just looks awful.  “This is not writing,” I tell her, “this is drawing!”  So she made me write and write and write until I can’t move my fingers anymore.
I stretch on the bed and yawn.  I open my eyes and realize that I’m in a different room.  Oh no, where am I?  I go out of the room and try to recognize the other parts of the house.  It’s so dark, and the place is so messy.  There’s a table to my left with piles of empty containers and used plates on top.  There’s a couch to my right full of unfolded clothes.  The TV’s on to National Geographic.  I can’t understand it.  Something about triangles and dead people wrapped in what seems to be bathroom tissue.  I try to figure out where the kitchen is.  I see the fridge.  There’s a note: Erika, coffee’s ready.  Love, A.  Who’s A?  Erika?  Everybody calls me Erik.  I open the fridge and see bottles of beer.  I want water.  And hot Ovaltine.  Where is my Grimace cup?  I can’t find it!  This is not my house!  I panic and run out, the owner A might think I’m a thief.
I walk and walk and walk barefoot.  When I realize I’m a few streets away from our house, I run.  I run as fast as I could, faster than my run during habulan.
I pause to catch my breath when I got in front of our gate.  I open it and see Puppy sleeping.  I ignore her, I want to see Mama and Papa.  I enter the house and see Mama in the sala reading the newspaper. 
“Mama!”

She looks at me puzzled, like I’m from another planet (Jupiter?).

“Erik, what are you doing here?  Why are you wearing your pantulog?”

“Mama, why did you leave me in another house?”

“What?  You’re married, you live with Arthur…”
“Huh?! But I’m only 6 years old!”

I close my eyes for 5 seconds.  When I open them, I'm back inside the strange, dark house. 

Chicken chewed one of his leather shoes and he's fuming mad, cursing and shouting like there's no tomorrow. Chicken runs to my side of the bed and curls up. I look down, rub her chin and ask, "Masarap ba?" Chicken barks and wags her tail, as if to say yes.

He turns red with anger but all I could do was snicker.

I will always love this wonderful man.

The nightmare is not that there are too many dying patients.

The nightmare is that the people working in this hospital, the people taking care of the sick, are the ones who are dead. They move without thinking, like zombies, no warmth in their touch, no tone in their voice, no light in their eyes. The smell of death emanates, the ghastly stench of rotting flesh.

The nightmare is that they are trying to poison the live ones, to become like them. Living dead, empty heart, blank stare.

The nightmare is that this is not happening in the land of the in-between, in the hospital of shifting wards, but in the waking world where people bleed, where poisons can actually kill.


This state is elevating, as the hurt turns into hating
- Here to Stay, Korn